{"id":43568,"date":"2025-05-27T12:01:14","date_gmt":"2025-05-27T12:01:14","guid":{"rendered":"https:\/\/www.writemyessays.app\/blog\/questions\/an-exploration-of-how-curated-scents-in-saudi-arabia-are-used-to-shape-memory-and-identity-reflecting-the-countrys-transformation-under-vision-2030-through-olfactory-branding-in-public-and-c\/"},"modified":"2025-05-27T12:01:14","modified_gmt":"2025-05-27T12:01:14","slug":"an-exploration-of-how-curated-scents-in-saudi-arabia-are-used-to-shape-memory-and-identity-reflecting-the-countrys-transformation-under-vision-2030-through-olfactory-branding-in-public-and-c","status":"publish","type":"questions","link":"https:\/\/www.writemyessays.app\/blog\/questions\/an-exploration-of-how-curated-scents-in-saudi-arabia-are-used-to-shape-memory-and-identity-reflecting-the-countrys-transformation-under-vision-2030-through-olfactory-branding-in-public-and-c\/","title":{"rendered":"An exploration of how curated scents in Saudi Arabia are used to shape memory and identity, reflecting the country\u2019s transformation under Vision 2030 through olfactory branding in public and commercial spaces."},"content":{"rendered":"<p>Please find attached a paper of the page instruction, kindly follow it well. i also attached many papers that could help with writing but feel free to do your own. research.<br \/>Here below is the course&#8217;s content for your reference:<\/p>\n<p><strong>7. Course overview by week<\/strong><\/p>\n<p><strong>BLOCK 1<\/strong><\/p>\n<p><strong><em>Session 1 (12 February 2025): Introduction: Media &amp; Memory in a Global Age (CB + MB)<br \/><\/em><\/strong><strong>Reading:<br \/><\/strong>&#8211; Garde-Hansen, Joanne. <em>Media and Memory<\/em>. Edinburgh: Edinburgh UP, 2011, 13-30, 44-49.<br \/>&#8211; De Cesari, Chiara, and Ann Rigney, \u201cIntroduction,\u201d in De Cesari, Chiara, and Ann Rigney, eds. <em>Transnational Memory: Circulation, Articulation, Scales<\/em>. Berlin: De Gruyter, 2014, 1-25.<br \/>&#8211; Hirsch, Marianne. \u201cConnective Arts of Postmemory.\u201d <em>Analecta Pol\u00edtica<\/em> 9.16 (2019): 171-176.<br \/>&#8211; Rothberg, Michael. \u201cMultidirectional Memory.\u201d <em>T\u00e9moigner: Entre histoire et m\u00e9moire<\/em> 119 (2014), <a>https:\/\/doi.org\/10.4000\/temoigner.1494Links to an external site.<\/a>.<br \/><strong><em>To do:<\/em><\/strong> read through Course Manual\/session topics; read all texts; think of an example of an \u2018object of memory\u2019 to bring to the first session (e.g. it could be a media text, a place etc.)<\/p>\n<p><strong><em>Session 2 (19 February 2025): Mediated Memory, Remixing &amp; Remediation (CB)<br \/><\/em><\/strong><strong>Reading:<br \/><\/strong>&#8211; van Dijck, Jos\u00e9. \u201cMediated Memories: Personal Cultural Memory as Object of Cultural Analysis.\u201d <em>Continuum<\/em> 18.2 (2004): 261-277.<br \/>&#8211; Garde-Hansen, Joanne. <em>Media and Memory<\/em>. Edinburgh: Edinburgh UP, 2011, 105-119.<br \/>&#8211; Baron, Jaimie. <em>The Archive Effect: Found Footage and the Audiovisual Experience of History<\/em>. London: Routledge, 2014. 16-45.<br \/><strong><em>To do:<\/em><\/strong> read all texts, watch the found footage film <a><em>They Call Me Babu<\/em>Links to an external site.<\/a> (S. Beerends, 2019).<br \/><strong><em>Session 3 (26 February 2025): Travelling Memory &amp; Memory Activism (CB)<br \/><\/em><\/strong><strong>Reading:<br \/><\/strong>&#8211; Erll, Astrid. \u201cTravelling Memory.\u201d <em>Parallax <\/em>17.4 (2011): 4-18.<br \/>&#8211; Arps, Arnoud. \u201c<em>Memori melompat<\/em> (\u2018jumping memory\u2019): The Mnemonic Motion of Indonesian Popular Culture and the Need for a Local Reframing.\u201d <em>Memory Studies<\/em> 16.6 (2023): 1423-1435.<br \/>&#8211; Risti\u0107, Katarina. \u201cFar-right Digital Memory Activism: Transnational Circulation of Memes and Memory of Yugoslav Wars.\u201d <em>Memory Studies<\/em> 17.4 (2024): 741-756.<br \/><strong><em>To do: <\/em><\/strong>read all texts &amp; think of a (media) example of \u2018travelling\u2019 memory and relate it to the texts.<br \/><strong><em>Session 4 (5 March 2025): Politics of Memory in Public Space (CB)<br \/><\/em><\/strong><strong>Reading:<br \/><\/strong>&#8211; W\u00fcstenberg, Jenny. \u201cLocating Transnational Memory.\u201d <em>International Journal of Politics, Culture, and Society<\/em> 32 (2019): 371-382.<br \/>&#8211; Gensburger, Sarah, \u201cBeyond Trauma: Researching Memory on My Doorstep.\u201d In Danielle Drozdzewski and Carolyn Birdsall, eds., <em>Doing Memory Research: New Methods and Approaches<\/em>. Cham: Palgrave Macmillan, 2019, 109-128. <br \/>&#8211; Drozdzewski, Danielle, and Carolyn Birdsall. \u201cUsing Emplaced Ethnography, Mobility, and Listening to Research Memory.\u201d In Danielle Drozdzewski and Carolyn Birdsall, eds., <em>Doing Memory Research: New Methods and Approaches<\/em>. Cham: Palgrave Macmillan, 2019, 39-61. <br \/><strong><em>To do: <\/em><\/strong>read all texts &amp; think of an example of a \u2018memory practice\u2019 in public space (e.g. in Amsterdam, another city) and relate it to the texts.<\/p>\n<p><strong><em>Session 5 (12 March 2025): Temporalities: Slow Memory and Environmental Mourning (CB)<br \/><\/em><\/strong><strong>Reading:<br \/><\/strong>&#8211; W\u00fcstenberg, Jenny. \u201cTowards a Slow Memory Studies\u201d in Brett A. Kaplan, ed. <em>Critical Memory Studies: New Approaches<\/em>. London: Bloomsbury, 2023, 59-68.<br \/>&#8211; Messina, Marcello, et al. \u201cTowards Amazon-centred Memory Studies: Borders, Dispossessions and Massacres.\u201d <em>Memory Studies<\/em> 16.6 (2023): 1407-1422.<br \/>&#8211; Knittel, Susanne C. \u201cEcologies of Violence: Cultural memory (studies) and the Genocide\u2013Ecocide Nexus.\u201d <em>Memory Studies<\/em> 16.6 (2023): 1563-1578.<br \/>&#8211; Feldberg, Olya. \u201cFrom Dinosaurs to Nuclear Fallout: Multiple Temporalities of Scale in Memory Studies.\u201d <em>Memory Studies<\/em> 16.6 (2023): 1594-1608.<br \/><strong><em>To do: <\/em><\/strong>read all texts &amp; watch the documentary film <em>The Magnitude of All Things<\/em> (J. Abbott, 2020) (the link for this film to be shared later)<br \/><strong><em>Session 6 (19 March 2025): Recap + Excursion (CB)<br \/><\/em><\/strong>During this session we will devote the first part of the session to a \u2018Recap\u2019 as preparation for the Take-home exam, followed by an excursion to an exhibition.<br \/><strong><em>To do: <\/em><\/strong>re-read all texts from Sessions 1-5 (with particular attention to key concepts, definitions, arguments), and prepare\/bring your questions to class<\/p>\n<p><strong>DUE DATE Take-home exam \u2013 due Wed 26 March, 23.59 (Canvas)<br \/><\/strong><strong>NO CLASS 26 March &amp; 2 April 2025<br \/><\/strong><strong>BLOCK 2<br \/><\/strong><strong><em>Session 7 (9 April 2025): Ruins and Ghosts of Memory (MB)<br \/><\/em><\/strong><strong>Reading:<br \/><\/strong>&#8211; Boym, Svetlana, \u201cRuinophilia: Appreciation of Ruins\u201d (2011), <a>http:\/\/monumenttotransformation.org\/atlas-of-transformation\/html\/r\/ruinophilia\/ruinophilia-appreciation-of-ruins-svetlana-boym.htmlLinks to an external site.<\/a><br \/>&#8211; Landsberg, Alison. <em>Prosthetic Memory: The Transformation of American Remembrance in the Age of Mass Culture<\/em>. New York: Columbia University Press, 2004, 111-139 (chapter four).<br \/>&#8211; Rodriguez, Juan Carlos, \u201cFraming Ruins: Patricio Guzman\u2019s Postdictatorial Documentaries \u00bb, <em>Latin American Perspectives<\/em> (special issue on \u201cPolitical documentary film and Video in the Southern Cone 1950s-2000s), 40.1 (January 2013): 131-144.<br \/><strong><em>To do<\/em><\/strong>: read all texts &amp; watch the feature film <em>Ararat<\/em> (A. Egoyan, 2002).<br \/><strong><em>Session 8 (16 April 2025): Memory, Material Objects, and Displacement (MB)<br \/><\/em><\/strong><strong>Reading:<br \/><\/strong>&#8211; Parkin, David, \u201cMementoes as Transnational Objects in Human Displacement\u201d, <em>Journal of Material Culture<\/em>, 4.3 (1999): 303-320.<br \/>&#8211; Schl\u00f6r, Joachim, \u201cMeans of Transport and Storage: Suitcases and other Containers for the Memory of Migration and Displacement\u201d, <em>Jewish Culture and History<\/em>, 15.1-2 (2014): 76-92.<br \/>&#8211; L\u00f6fgren, Orvar, \u201cEmotional Baggage: Unpacking the Suitcase\u201d, eds. J. Frykman and M. Povrzanovic Frykman,<em> Sensitive Objects. Affect and Material Culture<\/em>, Nordic Academic Press, 2016, 125-151.<br \/><strong><em>To do<\/em><\/strong>: read all texts &amp; bring (in group) a clip from a film\/artwork\/media object that deals with a suitcase in relation to memory, migration and displacement.<br \/><strong><em>Session 9 (23 April 2025): The Memory of Clothes and Mourning (MB)<br \/><\/em><\/strong><strong>Reading:<br \/><\/strong>&#8211; Stallybrass, Peter, \u201cWorn World: Clothes, Mourning and the Life of Things\u201d, <em>Cultural Memory and the Construction of Identity<\/em>, eds. D. Ben-Amos and L. Weissberg, Detroit: Wayne State University Press, 1999, 35-50.<br \/>&#8211; Gibson, Margaret, <em>Objects of the Dead. Mourning and Memory in Everyday Life<\/em>, Melbourne University Press, 2008. Read chapter 1 \u201c Objects of the Dead\u201d (1-19) and chapter 5 \u201cClothing\u201d (103-130).<br \/>&#8211; de Perthuis, Karen, \u201cDarning Mark\u2019s Jumper: Wearing Love and Sorrow\u201d. <em>Cultural Studies Review<\/em>, 22.1 (2016): 59-77.<br \/><strong><em>To do<\/em><\/strong>: read all texts &amp; think of one of your own \u2018memory of clothes\u2019 and relate it to the texts.<br \/><strong>NO CLASS 30 April 2025<br \/><\/strong><strong><em>Session 10 (7 May 2025): Memory in Fashion, Fashion in Memory (MB)<br \/><\/em><\/strong><strong>Reading:<br \/><\/strong>&#8211; Hunt, Carolyn, \u201cWorn Clothes and Textiles as Archives of Memory\u201d. <em>Critical Studies in Fashion and Beauty<\/em>, 5.2 (2014): 207-232.<br \/>&#8211; Toussaint, Lianne and Smelik, Anneke, \u201cMemory and Materiality in Hussein Chalayan\u2019s Techno-Fashion\u201d, <em>Materializing Memory in Art and Popular Culture<\/em>, eds. L. Muntean, L. Plate, and A. Smelik, Routledge, 2017, 89-105.<br \/><strong><em>To do<\/em><\/strong>: read all texts &amp; think of a fashion object (e.g. work of a designer \/ fashion item) and\/or a fashion-related audiovisual media object that touches upon issues of memory.<br \/><strong><em>Session 11 (14 May 2025): Fabricating Memories, Subverting History (MB)<br \/><\/em><\/strong><strong>Reading:<br \/><\/strong>&#8211; Van Doorn, Niels, \u201cThe Fabric of our Memories: Leather, Kinship, and Queer Material History\u201d. <em>Memory Studies<\/em>, 9.1 (2015): 85-98.<br \/>&#8211; Michna, Natalia Anna, \u201cKnitting, Weaving, Embroidery, and Quilting as Subversive Aesthetic Strategies\u201d, <em>ZoneModa<\/em>, 10.15 (2020): 167-183.<br \/>&#8211; Braidotti, Rosi and Smelik, Anneke, \u201cUnfolding Patterns of Revolt\u201d. <em>Tansitions in Art, Culture and Politics<\/em>, 2023, 289-297.<br \/><strong><em>To do<\/em><\/strong>: read all texts &amp; think of a \u2018textile (art\/media) practice\u2019 that subverts history and\/or works as memory activism.<br \/><strong><em>Session 12 (21 May 2025): Mini-conference (MB + CB)<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Please find attached a paper of the page instruction, kindly follow it well. i also attached many papers that could help with writing but feel free to do your own. research.Here below is the course&#8217;s content for your reference: 7. Course overview by week BLOCK 1 Session 1 (12 February 2025): Introduction: Media &amp; Memory [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","template":"","meta":[],"disciplines":[77],"paper_types":[],"tagged":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/questions\/43568"}],"collection":[{"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/questions"}],"about":[{"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/types\/questions"}],"author":[{"embeddable":true,"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/comments?post=43568"}],"version-history":[{"count":0,"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/questions\/43568\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/media?parent=43568"}],"wp:term":[{"taxonomy":"disciplines","embeddable":true,"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/disciplines?post=43568"},{"taxonomy":"paper_types","embeddable":true,"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/paper_types?post=43568"},{"taxonomy":"tagged","embeddable":true,"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/tagged?post=43568"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}