{"id":22210,"date":"2024-04-20T20:11:04","date_gmt":"2024-04-20T20:11:04","guid":{"rendered":"https:\/\/www.writemyessays.app\/blog\/questions\/the-concept-of-the-sublime-in-nature-is-far-from-being-as-important-and-rich-in-consequences-as-that-of-its-beauty-discuss\/"},"modified":"2024-04-20T20:11:04","modified_gmt":"2024-04-20T20:11:04","slug":"the-concept-of-the-sublime-in-nature-is-far-from-being-as-important-and-rich-in-consequences-as-that-of-its-beauty-discuss","status":"publish","type":"questions","link":"https:\/\/www.writemyessays.app\/blog\/questions\/the-concept-of-the-sublime-in-nature-is-far-from-being-as-important-and-rich-in-consequences-as-that-of-its-beauty-discuss\/","title":{"rendered":"the concept of the sublime in nature is far from being as important and rich in consequences as that of its beauty\u2019. Discuss"},"content":{"rendered":"<p>So this is a really hard essay, and if you haven&#8217;t studied much Kant, I wouldn&#8217;t recommend taking it on, as it might be too tough to grasp with such a short deadline.&nbsp;<\/p>\n<div><\/div>\n<div>I&#8217;m going to leave a list of all the must have sources down here:&nbsp;<\/div>\n<div><\/div>\n<div>\n<p style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">Primary: <\/span><\/p>\n<p style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">1.<span style=\"font-size: 7pt; line-height: normal; cursor: auto; color: inherit;\">&nbsp;&nbsp;&nbsp;&nbsp; <\/span><\/span><\/span><span style=\"cursor: auto; color: inherit;\">Kants Critique of the power of judgement \u2013 the liminality<br \/>\n(connection between the phenomena and noumena) allows us to wonder whether the<br \/>\nworld is what it is because it should be, or whether there is more, he called<br \/>\nthis Aesthetics. <\/span><\/p>\n<p style=\"margin-left: 54pt; cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">&#8211;<span style=\"font-size: 7pt; line-height: normal; cursor: auto; color: inherit;\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br \/>\n<\/span><\/span><\/span><span style=\"cursor: auto; color: inherit;\">Preface: judgment exists<br \/>\nbetween our capacity for reason(pure practical reason; <span style=\"cursor: auto; color: inherit;\">&nbsp;<\/span>and understanding <\/span><\/p>\n<p style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">2.<span style=\"font-size: 7pt; line-height: normal; cursor: auto; color: inherit;\">&nbsp;&nbsp;&nbsp;&nbsp; <\/span><\/span><\/span><span style=\"cursor: auto; color: inherit;\">&nbsp;<\/span><\/p>\n<p style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">3.<span style=\"font-size: 7pt; line-height: normal; cursor: auto; color: inherit;\">&nbsp;&nbsp;&nbsp;&nbsp; <\/span><\/span><\/span><span style=\"font-size: 11.5pt; line-height: 115%; cursor: auto; color: inherit;\">Jean-Fran\u00e7ois Lyotard,&nbsp;Published 1994, <\/span><i style=\"cursor: auto; color: inherit;\"><span style=\"font-size: 11.5pt; line-height: 115%; cursor: auto; color: inherit;\">Lessons on the Analytic<br \/>\nof the Sublime<\/span><\/i><span style=\"font-size: 11.5pt; line-height: 115%; cursor: auto; color: inherit;\">. <\/span><span style=\"font-size: 11.5pt; line-height: 115%; cursor: auto; color: inherit;\">Stanford University press,<br \/>\n1994 &#8211; <\/span><span style=\"cursor: auto; color: inherit;\"><\/span><\/p>\n<p style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">4.<span style=\"font-size: 7pt; line-height: normal; cursor: auto; color: inherit;\">&nbsp;&nbsp;&nbsp;&nbsp; <\/span><\/span><\/span><a style=\"cursor: auto;\"><span style=\"cursor: auto; color: inherit;\"><span style=\"font-size: 11.5pt; line-height: 115%; cursor: auto; color: inherit;\">Samuel Weber,<br \/>\n&#8216;Ambivalence, the Humanities and the Study of Literature&#8217;<\/span><\/span><span style=\"cursor: auto; color: inherit;\"><span style=\"padding: 0cm; font-size: 11.5pt; line-height: 115%; cursor: auto; color: inherit;\">File<\/span><\/span><\/a><span style=\"cursor: auto; color: inherit;\"><\/span><\/p>\n<p style=\"cursor: auto; color: inherit;\"><a style=\"cursor: auto;\"><span style=\"cursor: auto; color: inherit;\"><span style=\"padding: 0cm; font-size: 11.5pt; line-height: 115%; cursor: auto; color: inherit;\"><br \/><\/span><\/span><\/a><\/p>\n<p style=\"cursor: auto; color: inherit;\"><a style=\"cursor: auto;\"><span style=\"cursor: auto; color: inherit;\"><span style=\"padding: 0cm; font-size: 11.5pt; line-height: 115%; cursor: auto; color: inherit;\">Secondary:<\/span><\/span><\/a><\/p>\n<p style=\"cursor: auto; color: inherit;\"><a style=\"cursor: auto;\"><span style=\"cursor: auto; color: inherit;\"><span style=\"padding: 0cm; font-size: 11.5pt; line-height: 115%; cursor: auto; color: inherit;\">&nbsp;<\/span><\/span><\/a><span style=\"color: inherit; background-color: var(--color-6); font-variant-ligatures: inherit; font-variant-caps: inherit; cursor: auto;\"><span style=\"cursor: auto; color: inherit;\">1.<span style=\"font-size: 7pt; line-height: normal; cursor: auto; color: inherit;\">&nbsp;&nbsp;&nbsp;&nbsp; <\/span><\/span><\/span><span style=\"color: inherit; background-color: var(--color-6); font-variant-ligatures: inherit; font-variant-caps: inherit; font-size: 11.5pt; line-height: 115%; cursor: auto;\">\u2013&nbsp;Kant I, trans. Patrick Frierson and Paul<br \/>\nGuyer , Published 2011,&nbsp;<i style=\"cursor: auto; color: inherit;\">Observations on the Feeling of the Beautiful<br \/>\nand the Sublime and Other Writings<\/i>, Texts in the History of Philosophy,<br \/>\nCambridge university press.<\/span><\/p>\n<p style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\"><\/span><\/p>\n<p style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">2.<span style=\"font-size: 7pt; line-height: normal; cursor: auto; color: inherit;\">&nbsp;&nbsp;&nbsp;&nbsp; <\/span><\/span><\/span><br style=\"cursor: auto; color: inherit;\"><br \/>\n<span style=\"cursor: auto; color: inherit;\"><span style=\"font-size: 11.5pt; line-height: 115%; cursor: auto; color: inherit;\">Annotated bibliography on<br \/>\nthe sublime (Luke White)<\/span><\/span><span style=\"cursor: auto; color: inherit;\"><span style=\"padding: 0cm; font-size: 11.5pt; line-height: 115%; cursor: auto; color: inherit;\"> URL<\/span><\/span><span style=\"cursor: auto; color: inherit;\"><\/span><\/p>\n<p style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">3.<span style=\"font-size: 7pt; line-height: normal; cursor: auto; color: inherit;\">&nbsp;&nbsp;&nbsp;&nbsp; <\/span><\/span><\/span><a style=\"cursor: auto;\"><span style=\"cursor: auto; color: inherit;\"><span style=\"font-size: 11.5pt; line-height: 115%; cursor: auto; color: inherit;\">Lyotard, Lessons on the<br \/>\nAnalytic of the Sublime<\/span><\/span><span style=\"cursor: auto; color: inherit;\"><span style=\"padding: 0cm; font-size: 11.5pt; line-height: 115%; cursor: auto; color: inherit;\">File<\/span><\/span><\/a><span style=\"cursor: auto; color: inherit;\"><\/span><\/p>\n<p style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">4.<span style=\"font-size: 7pt; line-height: normal; cursor: auto; color: inherit;\">&nbsp;&nbsp;&nbsp;&nbsp; <\/span><\/span><\/span><a style=\"cursor: auto;\"><span style=\"cursor: auto; color: inherit;\"><span style=\"font-size: 11.5pt; line-height: 115%; cursor: auto; color: inherit;\">Jean-Fran\u00e7ois Lyotard,<br \/>\n&#8216;The Sublime and the Avant-Garde&#8217;<\/span><\/span><span style=\"cursor: auto; color: inherit;\"><span style=\"padding: 0cm; font-size: 11.5pt; line-height: 115%; cursor: auto; color: inherit;\">URL<\/span><\/span><\/a><span style=\"cursor: auto; color: inherit;\"><\/span><\/p>\n<p style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">5.<span style=\"font-size: 7pt; line-height: normal; cursor: auto; color: inherit;\">&nbsp;&nbsp;&nbsp;&nbsp; <\/span><\/span><\/span><a style=\"cursor: auto;\"><span style=\"cursor: auto; color: inherit;\"><span style=\"font-size: 11.5pt; line-height: 115%; cursor: auto; color: inherit;\">Jacques Derrida, The<br \/>\nTruth in Painting<\/span><\/span><span style=\"cursor: auto; color: inherit;\"><span style=\"padding: 0cm; font-size: 11.5pt; line-height: 115%; cursor: auto; color: inherit;\">File<\/span><\/span><\/a><span style=\"cursor: auto; color: inherit;\"><\/span><\/p>\n<p style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">6.<span style=\"font-size: 7pt; line-height: normal; cursor: auto; color: inherit;\">&nbsp;&nbsp;&nbsp;&nbsp; <\/span><\/span><\/span><a style=\"cursor: auto;\"><span style=\"cursor: auto; color: inherit;\"><span style=\"font-size: 11.5pt; line-height: 115%; cursor: auto; color: inherit;\">Christine Battersby, The<br \/>\nSublime, Terror and Human Difference<\/span><\/span><span style=\"cursor: auto; color: inherit;\"><span style=\"padding: 0cm; font-size: 11.5pt; line-height: 115%; cursor: auto; color: inherit;\">File<\/span><\/span><\/a><span style=\"cursor: auto; color: inherit;\"><\/span><\/p>\n<p style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">7.<span style=\"font-size: 7pt; line-height: normal; cursor: auto; color: inherit;\">&nbsp;&nbsp;&nbsp;&nbsp; <\/span><\/span><\/span><a style=\"cursor: auto;\"><span style=\"cursor: auto; color: inherit;\"><span style=\"font-size: 11.5pt; line-height: 115%; cursor: auto; color: inherit;\">Jacques Ranci\u00e8re, &#8216;The<br \/>\nSublime from Lyotard to Schiller&#8217;<\/span><\/span><span style=\"cursor: auto; color: inherit;\"><span style=\"padding: 0cm; font-size: 11.5pt; line-height: 115%; cursor: auto; color: inherit;\">URL<\/span><\/span><\/a> <span style=\"cursor: auto; color: inherit;\"><\/span><\/p>\n<p style=\"margin: 0cm 0cm 5pt 36pt; cursor: auto; color: inherit;\"><span style=\"font-size: 11.5pt; cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">8.<span style=\"font-size: 7pt; line-height: normal; cursor: auto; color: inherit;\">&nbsp;&nbsp;&nbsp;&nbsp;<br \/>\n<\/span><\/span><\/span><span style=\"font-size: 11.5pt; cursor: auto; color: inherit;\">&#8211;<br \/>\nChristoph Menke,&nbsp;<i style=\"cursor: auto; color: inherit;\">Force: A Fundamental Concept of Aesthetic Anthropology<\/i>.<br \/>\nNew York: Fordham UP, 2012:&nbsp;<\/span><span style=\"font-size: 11.5pt; cursor: auto; color: inherit;\">Chapter 5<\/span><span style=\"font-size: 11.5pt; cursor: auto; color: inherit;\">.<\/span><span style=\"font-size: 11.5pt; cursor: auto; color: inherit;\"><\/span><\/p>\n<p style=\"margin: 0cm 0cm 5pt 36pt; cursor: auto; color: inherit;\"><span style=\"font-size: 11.5pt; cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">9.<span style=\"font-size: 7pt; line-height: normal; cursor: auto; color: inherit;\">&nbsp;&nbsp;&nbsp;&nbsp;<br \/>\n<\/span><\/span><\/span><span style=\"font-size: 11.5pt; cursor: auto; color: inherit;\">&#8211;&nbsp;<\/span><span style=\"font-size: 11.5pt; cursor: auto; color: inherit;\">Eckart F<\/span><span style=\"font-size: 11.5pt; cursor: auto; color: inherit;\">\u00f6rster,&nbsp;<i style=\"cursor: auto; color: inherit;\">The<br \/>\nTwenty-Five Years of Philosophy: A Systematic Reconstruction<\/i>, trans. Brady<br \/>\nBowman. Cambridge, MA: Harvard UP, 2012: Chapter 6.&nbsp;<\/span><span style=\"font-size: 11.5pt; cursor: auto; color: inherit;\"><\/span><\/p>\n<p style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">10.<span style=\"font-size: 7pt; line-height: normal; cursor: auto; color: inherit;\">&nbsp; <\/span><\/span><\/span><span style=\"cursor: auto; color: inherit;\">Book by Burke \u2013 he created the sublime <\/span><\/p>\n<p style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">11.<span style=\"font-size: 7pt; line-height: normal; cursor: auto; color: inherit;\">&nbsp; <\/span><\/span><\/span><span style=\"font-size: 15pt; line-height: 115%; cursor: auto; color: inherit;\">Kant, Immanuel.<\/span><span style=\"font-size: 15pt; line-height: 115%; cursor: auto; color: inherit;\">&nbsp;Critique of Pure Reason. Translated by Marcus Weigelt,<br \/>\nPenguin Classics, 2003 &#8211; <\/span><span style=\"cursor: auto; color: inherit;\">we cant know by just<br \/>\nthinking, we are tethered to see the world and its objects through our senses,<br \/>\nin other words we only get a sense of their phenomena (an object of knowledge,<br \/>\ngathered from empirical(logic gathered through the senses) data and the senses),<br \/>\nas opposed to the noumenon(the thing beneath the phenomena), going of our<br \/>\nsenses and empirical data, is subjective, and non universal, it is a bad way to<br \/>\nexplore the world. As can be seen, we do not rely on any one mans opinions or<br \/>\nbelieves to dictate what is real.<\/span><\/p>\n<p style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">12.<span style=\"font-size: 7pt; line-height: normal; cursor: auto; color: inherit;\">&nbsp; <\/span><\/span><\/span><span style=\"font-size: 15pt; line-height: 115%; cursor: auto; color: inherit;\">Kant, I.<\/span><span style=\"font-size: 15pt; line-height: 115%; cursor: auto; color: inherit;\">&nbsp;<\/span><span style=\"font-size: 15pt; line-height: 115%; cursor: auto; color: inherit;\">(2004).<\/span><span style=\"font-size: 15pt; line-height: 115%; cursor: auto; color: inherit;\">&nbsp;<\/span><span style=\"font-size: 15pt; line-height: 115%; cursor: auto; color: inherit;\">Critique of practical reason (T. K.<\/span><span style=\"font-size: 15pt; line-height: 115%; cursor: auto; color: inherit;\">&nbsp;<\/span><span style=\"font-size: 15pt; line-height: 115%; cursor: auto; color: inherit;\">Abbott,<br \/>\nTrans.). &#8211; <\/span><span style=\"cursor: auto; color: inherit;\">if we only have experience(empirical, and<br \/>\nsenses), is there a way we can experience to prove the existence of god,<br \/>\nfreedom, and immortality, we then goes on to do this \u2013 the liminality(meaning<br \/>\nbetween the noumenon and the phenomena) of existence, allows us to engage in<br \/>\nthe noumenon, this connection allows us a degree of freedom in this world, with<br \/>\nthis freedom we can engage in moral duty, we can correspond to the moral<br \/>\nnoumenal order<\/span><\/p>\n<p style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">13. https:\/\/plato.stanford.edu\/entries\/aesthetics-18th-british\/&nbsp;<br \/><\/span><\/p>\n<p style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">14.&nbsp;https:\/\/plato.stanford.edu\/entries\/aesthetics-18th-german\/&nbsp;<\/span><\/p>\n<p style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\"><br \/><\/span><\/p>\n<p style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\"><br \/><\/span><\/p>\n<p style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\"><br \/><\/span><\/p>\n<p style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">This is the Criteria, and again its a must have:&nbsp;<\/span><\/p>\n<p style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\"><br \/><\/span><\/p>\n<p style=\"margin-bottom: 0cm; line-height: normal; cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">1. make extended use of <\/span><b style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">TWO <\/span><\/b><span style=\"cursor: auto; color: inherit;\">of the thinkers(This is mainly just Immanuel Kant, but you can bring in Nieztche, Leyotard, or any of the main socratic philosophers(plato, Aristotle ect) one must<br \/>\nbe Immanuel Kant however.&nbsp;<\/span><\/p>\n<p style=\"margin-bottom: 0cm; line-height: normal; cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">2. cite from the texts provided<br \/>\nIn this module, closely analyse your chosen<\/span><\/p>\n<p style=\"margin-bottom: 0cm; line-height: normal; cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">sources, and adequately<br \/>\nreference each citation;<\/span><\/p>\n<p style=\"margin-bottom: 0cm; line-height: normal; cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">3. have a clearly stated<br \/>\nthesis in its first paragraph;<\/span><\/p>\n<p style=\"margin-bottom: 0cm; line-height: normal; cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">4. relate directly to the<br \/>\ntopics we discussed in the module <\/span><\/p>\n<p style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">5. refer to at least 2 secondary sources <\/span><b style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">in detail<\/span><\/b><span style=\"cursor: auto; color: inherit;\"> and cite around 6-8<br \/>\nsources <\/span><b style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">in total<\/span><\/b><span style=\"cursor: auto; color: inherit;\">. <\/span><\/p>\n<p style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">&nbsp;<\/span>7. 3500<br \/>\nwords (10%) <\/span><\/p>\n<p style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">&nbsp;<\/span>8.<br \/>\nReferencing style: Please use either MHRA, Chicago, Harvard or MLA style;<br \/>\nwhichever you pick, however, please be consistent.<\/span><\/p>\n<p style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">9. Explain philosophical terminology(such as<br \/>\nreason, cognition, judgement, beauty, ect) <span style=\"cursor: auto; color: inherit;\">&nbsp;<\/span><\/span><\/p>\n<p style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\"><br \/><\/span><\/span><\/p>\n<p style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\"><br \/><\/span><\/span><\/p>\n<p style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">Also you Kan&#8217;t(can&#8217;t) reference from this, but it really helps with recapping Kant terminology:&nbsp;<\/span><\/span><\/p>\n<p style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\"><br \/><\/span><\/span><\/p>\n<p style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">https:\/\/staffweb.hkbu.edu.hk\/ppp\/ksp1\/KSPglos.html&nbsp;<br \/><\/span><\/span><\/p>\n<p style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\"><br \/><\/span><\/span><\/p>\n<p style=\"cursor: auto; color: inherit;\">PS this is a create source for a quick background on Aesthetics:&nbsp;<span style=\"color: inherit; background-color: var(--color-6); font-variant-ligatures: inherit; font-variant-caps: inherit;\">13. https:\/\/plato.stanford.edu\/entries\/aesthetics-18th-british\/&nbsp;<\/span><\/p>\n<p style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">14.&nbsp;https:\/\/plato.stanford.edu\/entries\/aesthetics-18th-german\/<\/span><\/p>\n<p style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\"><\/p>\n<p><\/span><\/p>\n<p style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">&nbsp;<\/span><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>So this is a really hard essay, and if you haven&#8217;t studied much Kant, I wouldn&#8217;t recommend taking it on, as it might be too tough to grasp with such a short deadline.&nbsp; I&#8217;m going to leave a list of all the must have sources down here:&nbsp; Primary: 1.&nbsp;&nbsp;&nbsp;&nbsp; Kants Critique of the power of [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","template":"","meta":[],"disciplines":[56],"paper_types":[],"tagged":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/questions\/22210"}],"collection":[{"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/questions"}],"about":[{"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/types\/questions"}],"author":[{"embeddable":true,"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/comments?post=22210"}],"version-history":[{"count":0,"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/questions\/22210\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/media?parent=22210"}],"wp:term":[{"taxonomy":"disciplines","embeddable":true,"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/disciplines?post=22210"},{"taxonomy":"paper_types","embeddable":true,"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/paper_types?post=22210"},{"taxonomy":"tagged","embeddable":true,"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/tagged?post=22210"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}