{"id":20719,"date":"2024-04-11T02:58:45","date_gmt":"2024-04-11T02:58:45","guid":{"rendered":"https:\/\/www.writemyessays.app\/blog\/questions\/how-does-wong-kar-wai-reveal-his-emotions-of-hong-kong-1990s-and-2000s-in-his-cinema-dissertation\/"},"modified":"2024-04-11T02:58:45","modified_gmt":"2024-04-11T02:58:45","slug":"how-does-wong-kar-wai-reveal-his-emotions-of-hong-kong-1990s-and-2000s-in-his-cinema-dissertation","status":"publish","type":"questions","link":"https:\/\/www.writemyessays.app\/blog\/questions\/how-does-wong-kar-wai-reveal-his-emotions-of-hong-kong-1990s-and-2000s-in-his-cinema-dissertation\/","title":{"rendered":"&#8220;How does Wong Kar-Wai reveal his emotions of Hong Kong 1990s and 2000s in his cinema?&#8221; dissertation"},"content":{"rendered":"<div style=\"cursor: auto; color: inherit;\"><span style=\"font-weight: bolder; cursor: auto; color: inherit;\"><span style=\"font-size: 12pt; cursor: auto; color: inherit;\">Main question you should write :<\/span><\/span><\/div>\n<p style=\"cursor: auto; color: inherit;\"><b style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\"><\/span><\/b><\/p>\n<div style=\"cursor: auto; color: inherit;\"><span style=\"font-weight: bolder; cursor: auto; color: inherit;\"><span style=\"font-size: 12pt; cursor: auto; color: inherit;\"><\/p>\n<p style=\"cursor: auto; color: inherit;\"><span style=\"font-weight: bolder; cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">How does Wong Kar-Wai reveal his emotions of Hong Kong in his cinema?<\/span><\/span><\/p>\n<p><span style=\"font-weight: bolder; cursor: auto; color: inherit;\"><span style=\"font-size: 12pt; cursor: auto; color: inherit;\">Considering the distinct characteristics of Hong Kong in the 1900s when Wong Kar-Wai lived, what can we discover about the atmosphere in Hong Kong society and his sentiment from his cinema ?<\/span><\/span><\/span><\/span><\/div>\n<div style=\"cursor: auto; color: inherit;\"><span style=\"font-weight: bolder; cursor: auto; color: inherit;\"><span style=\"font-size: 12pt; cursor: auto; color: inherit;\"><span style=\"font-weight: bolder; cursor: auto; color: inherit;\"><span style=\"font-size: 12pt; cursor: auto; color: inherit;\"><br \/><\/span><\/span><\/span><\/span><\/div>\n<div style=\"cursor: auto; color: inherit;\"><span style=\"font-weight: bolder; cursor: auto; color: inherit;\"><span style=\"font-size: 12pt; cursor: auto; color: inherit;\"><span style=\"font-weight: bolder; cursor: auto; color: inherit;\"><span style=\"font-size: 12pt; cursor: auto; color: inherit;\"><b style=\"cursor: auto; color: inherit;\"><span style=\"font-size: 12pt; cursor: auto; color: inherit;\">The topic to be undertaken and the research<br \/>\nfield this is situated in :<\/span><\/b><br \/><\/span><\/span><\/span><\/span><\/div>\n<p style=\"cursor: auto; color: inherit;\"><b style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\"><br \/><\/span><\/b><\/p>\n<p style=\"cursor: auto; color: inherit;\"><b style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">&#8220;Wong Kar-Wai is one of the greatest film directors known as \u2018In<br \/>\nthe Mood for Love\u2019, \u2018Chungking Express\u2019 and more.<\/span><\/b><\/p>\n<p style=\"cursor: auto; color: inherit;\"><b style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">His films are famous for stylish visuals and focusing on mood and<br \/>\natmosphere rather than plot or storyline.<\/span><\/b><\/p>\n<p style=\"cursor: auto; color: inherit;\"><b style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">Across the film, he has made emptiness, futile, and <\/span><\/b><b style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">loneliness emotions permeate throughout the style, mise-en-scene, and the<br \/>\nstory. <\/span><\/b><\/p>\n<p style=\"cursor: auto; color: inherit;\"><b style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">Not only Wong Kar-Wai\u2019s characteristics,<br \/>\nthe situation in Hong Kong especially 1990s to 2000s would be one of the<br \/>\nelements of his film\u2019s mood.<\/span><\/b><\/p>\n<p style=\"cursor: auto; color: inherit;\"><b style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">Not only my opinion, but his interviews, film<br \/>\ntechniques, dialogues, mise-en-scene and more reveal his feelings about Hong<br \/>\nKong in the films he made.<\/span><\/b><\/p>\n<p style=\"cursor: auto; color: inherit;\"><b style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">Inquiry into the Hong Kong\u2019s history and social<br \/>\natmosphere in the middle and late 1990s of Hong Kong would make more easier to<br \/>\nunderstand Wong Kar-Wai\u2019s films.<\/span><\/b><\/p>\n<p><b style=\"cursor: auto; color: inherit;\"><span style=\"font-size: 12pt; cursor: auto; color: inherit;\">A further<br \/>\nstudy of how Wong Kar-Wei expressed his feelings about Hong Kong in films would<br \/>\nmake the audience sink into the film more deeply with rich emotions&#8221;<\/span><\/b><\/p>\n<div><\/div>\n<div>How to approach:<\/div>\n<div>\n<p style=\"cursor: auto; color: inherit;\"><b style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">Through the cinema which is made by Wong Kar Wei<br \/>\nespecially 1990s and 2000s would be the key to this project.<\/span><\/b><\/p>\n<p style=\"cursor: auto; color: inherit;\"><b style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">Finding his interview and biography would help me<br \/>\nunderstand more of his situation and thoughts.<\/span><\/b><\/p>\n<p><b style=\"cursor: auto; color: inherit;\"><span style=\"font-size: 12pt; cursor: auto; color: inherit;\">Especially<br \/>\nreading Wong Kar-Wei\u2019s film critiques throughout his whole film will make the<br \/>\nprogress clear.<\/span><\/b><\/div>\n<div><b style=\"cursor: auto; color: inherit;\"><span style=\"font-size: 12pt; cursor: auto; color: inherit;\"><b style=\"cursor: auto; color: inherit;\"><span style=\"font-size: 12pt; cursor: auto; color: inherit;\"><br \/><\/span><\/b><\/span><\/b><\/div>\n<div><b style=\"cursor: auto; color: inherit;\"><span style=\"font-size: 12pt; cursor: auto; color: inherit;\"><b style=\"cursor: auto; color: inherit;\"><span style=\"font-size: 12pt; cursor: auto; color: inherit;\"><br \/><\/span><\/b><\/span><\/b><\/div>\n<div><b style=\"cursor: auto; color: inherit;\"><span style=\"font-size: 12pt; cursor: auto; color: inherit;\"><b style=\"cursor: auto; color: inherit;\"><span style=\"font-size: 12pt; cursor: auto; color: inherit;\">Good bibliography that you should reference at least 3 :<\/span><\/b><\/span><\/b><\/div>\n<div><b style=\"cursor: auto; color: inherit;\"><span style=\"font-size: 12pt; cursor: auto; color: inherit;\"><b style=\"cursor: auto; color: inherit;\"><span style=\"font-size: 12pt; cursor: auto; color: inherit;\"><br \/><\/span><\/b><\/span><\/b><\/div>\n<div><b style=\"cursor: auto; color: inherit;\"><span style=\"font-size: 12pt; cursor: auto; color: inherit;\"><b style=\"cursor: auto; color: inherit;\"><span style=\"font-size: 12pt; cursor: auto; color: inherit;\"><\/p>\n<p style=\"cursor: auto; color: inherit;\"><b style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">Cheuk, Pak Tong (2008) : Hong Kong New Wave Cinema.<\/span><\/b><b style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\"><\/span><\/b><\/p>\n<p style=\"cursor: auto; color: inherit;\"><b style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">&nbsp;<\/span><\/b><\/p>\n<p style=\"cursor: auto; color: inherit;\"><b style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">&nbsp;<\/span>Bettinson, Gary (Hong Kong<br \/>\nUniversity Press<span style=\"cursor: auto; color: inherit;\">&nbsp; <\/span>2014) : The Sensuous<br \/>\nCinema of Wong Kar-Wai : Film Poetics and the Aesthetic of Disturbance<\/span><\/b><b style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\"><\/span><\/b><\/p>\n<p style=\"cursor: auto; color: inherit;\"><b style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">&nbsp;<\/span><\/b><\/p>\n<p style=\"cursor: auto; color: inherit;\"><b style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">John Powers (2016) WKW: The Cinema of Wong Kar Wai<\/span><\/b><b style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\"><\/span><\/b><\/p>\n<p style=\"cursor: auto; color: inherit;\"><b style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">&nbsp;<\/span><\/b><\/p>\n<p style=\"cursor: auto; color: inherit;\"><b style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">Brunette, Peter. : <span style=\"cursor: auto; color: inherit;\">&nbsp;<\/span>Wong Kar-wai.<br \/>\nUrbana: University of Illinois Press, 2005.<\/span><\/b><b style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\"><\/span><\/b><\/p>\n<p style=\"cursor: auto; color: inherit;\"><b style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">&nbsp;<\/span><\/b><\/p>\n<p style=\"cursor: auto; color: inherit;\"><b style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">Teo, Stephen. : Wong Kar-Wai. London: BFI, 2005.<\/span><\/b><b style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\"><\/span><\/b><\/p>\n<p style=\"cursor: auto; color: inherit;\"><b style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">&nbsp;<\/span><\/b><\/p>\n<p style=\"cursor: auto; color: inherit;\"><b style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">Teo, Stephen. : Hong Kong Cinema: The Extra Dimensions. London: BFI, 1997.<\/span><\/b><b style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\"><\/span><\/b><\/p>\n<p style=\"cursor: auto; color: inherit;\"><b style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">&nbsp;<\/span><\/b><\/p>\n<p style=\"cursor: auto; color: inherit;\"><b style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">Rayns, Tony. : In the Mood for Love. London: BFI Film Classics, 2015.<\/span><\/b><b style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\"><\/span><\/b><\/p>\n<p style=\"cursor: auto; color: inherit;\"><b style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">&nbsp;<\/span><\/b><\/p>\n<p style=\"cursor: auto; color: inherit;\"><b style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">Lalanne, Jean-Marc, David Martinez, Ackbar Abbas, and Jimmy Ngai. : Wong<br \/>\nKar Wai. Paris: Editions Dis Voir, 1997.<\/span><\/b><b style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\"><\/span><\/b><\/p>\n<p style=\"cursor: auto; color: inherit;\"><b style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">&nbsp;<\/span><\/b><\/p>\n<p style=\"cursor: auto; color: inherit;\"><b style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">Bordwell, David. : Planet Hong Kong: Popular Cinema and the Art of<br \/>\nEntertainment. Cambridge, MA: Harvard University Press, 2000.<\/span><\/b><b style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\"><\/span><\/b><\/p>\n<p style=\"cursor: auto; color: inherit;\"><b style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">&nbsp;<\/span><\/b><\/p>\n<p style=\"cursor: auto; color: inherit;\"><b style=\"cursor: auto; color: inherit;\"><span style=\"cursor: auto; color: inherit;\">I have upload layout for dissertation and few pdf files of bibliography<\/span><\/b><\/p>\n<p><\/span><\/b><\/span><\/b><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Main question you should write : How does Wong Kar-Wai reveal his emotions of Hong Kong in his cinema? Considering the distinct characteristics of Hong Kong in the 1900s when Wong Kar-Wai lived, what can we discover about the atmosphere in Hong Kong society and his sentiment from his cinema ? The topic to be [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","template":"","meta":[],"disciplines":[],"paper_types":[],"tagged":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/questions\/20719"}],"collection":[{"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/questions"}],"about":[{"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/types\/questions"}],"author":[{"embeddable":true,"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/comments?post=20719"}],"version-history":[{"count":0,"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/questions\/20719\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/media?parent=20719"}],"wp:term":[{"taxonomy":"disciplines","embeddable":true,"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/disciplines?post=20719"},{"taxonomy":"paper_types","embeddable":true,"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/paper_types?post=20719"},{"taxonomy":"tagged","embeddable":true,"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/tagged?post=20719"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}