{"id":19420,"date":"2024-04-04T14:51:09","date_gmt":"2024-04-04T14:51:09","guid":{"rendered":"https:\/\/www.writemyessays.app\/blog\/questions\/discuss-the-depiction-of-women-and-or-children-in-post-dictatorship-cultural-texts-use-the-following-film-and-book-as-primary-reference-of-the-essay-luis-puenzo-la-historia-oficial-1985-film-a\/"},"modified":"2024-04-04T14:51:09","modified_gmt":"2024-04-04T14:51:09","slug":"discuss-the-depiction-of-women-and-or-children-in-post-dictatorship-cultural-texts-use-the-following-film-and-book-as-primary-reference-of-the-essay-luis-puenzo-la-historia-oficial-1985-film-a","status":"publish","type":"questions","link":"https:\/\/www.writemyessays.app\/blog\/questions\/discuss-the-depiction-of-women-and-or-children-in-post-dictatorship-cultural-texts-use-the-following-film-and-book-as-primary-reference-of-the-essay-luis-puenzo-la-historia-oficial-1985-film-a\/","title":{"rendered":"Discuss the depiction of women and\/or children in post-dictatorship cultural texts. Use the following film and book  as primary reference of the essay. &#8220;Luis Puenzo, La historia oficial (1985) film&#8221; and  &#8221; Diamela Eltit, Los vigilantes (1994) prose&#8221;"},"content":{"rendered":"<div style=\"cursor: auto;\">\n<div style=\"cursor: auto;\">\n<div style=\"cursor: auto;\">\n<p style=\"cursor: auto;\"><span style=\"font-size: 10pt; cursor: auto;\">the following description will give &nbsp;you an idea of the context behind the essay question.&nbsp;<\/span><\/p>\n<p style=\"cursor: auto;\"><span style=\"font-size: 10pt; cursor: auto;\">The most recent dictatorships in Argentina (1976-1983) and Chile (1973-1990) were also the most violent, characterised by the clandestine arrest, torture, murder, and disappearance of thousands of<span style=\"cursor: auto;\">&nbsp;<\/span><\/span><span style=\"font-size: 10pt; cursor: auto;\">each country\u2019s citizens. Given this extraordinary brutality<\/span><span style=\"font-size: 10pt; cursor: auto;\">, the early years of the transition to democracy were experienced as moments of liberation. Nonetheless, they were also periods of political compromise, wilful silence and official forgetting. In this social context, the cultural field played a crucial rol<\/span><span style=\"font-size: 10pt; cursor: auto;\">e in defining and sustaining demands for \u2018memory, truth and justice&#8221;.&nbsp;<\/span><\/p>\n<p style=\"cursor: auto;\"><span style=\"font-size: 10pt; cursor: auto;\"><br \/><\/span><\/p>\n<p style=\"cursor: auto;\"><span style=\"font-size: 10pt; cursor: auto;\">for the essay you need to discuss how woman are portrayed in both film and prose, you can compare and contrast, the question it is very broad there is no right or wrong answer as long as you provide an ANALYTICAL explanation. &nbsp;try to be less descriptive as possible in arguing your points.&nbsp;<\/span><\/p>\n<p style=\"cursor: auto;\"><span style=\"font-size: 10pt; cursor: auto;\">&nbsp;I am going to give you some material which cam help you with secondary resourses etc etc<\/span><\/p>\n<p style=\"cursor: auto;\"><span style=\"font-size: 10pt; cursor: auto;\"><br \/><\/span><\/p>\n<p style=\"cursor: auto;\"><span style=\"font-size: 10pt; cursor: auto;\">since it is a film also use the appropriate terminology when analysing a film for example this close shot angle has the effect to&#8230;.&nbsp;<\/span><\/p>\n<p style=\"cursor: auto;\"><span style=\"font-size: 10pt; cursor: auto;\"><br \/><\/span><\/p>\n<p style=\"cursor: auto;\"><font size=\"2\">please refere to the resources &nbsp;I &nbsp;m giving you to make your points and if you used the also add them to the bibliography&nbsp;<\/font><\/p>\n<p style=\"cursor: auto;\"><font size=\"2\">&nbsp;thanks&nbsp;<\/font><\/p>\n<p style=\"cursor: auto;\"><font size=\"2\"><br \/><\/font><\/p>\n<p style=\"cursor: auto;\"><font size=\"2\">please use the following readings to make some &nbsp;points for LA HISTORIA OFICIAL&nbsp;<\/font><\/p>\n<p style=\"cursor: auto;\"><a style=\"color: var(--color-1); font-variant-caps: inherit; cursor: auto;\">https:\/\/www.jstor.org\/stable\/10.7722\/j.ctt9qdnt2.19<\/a><\/p>\n<p style=\"cursor: auto;\"><span style=\"font-size: 10pt; cursor: auto;\"><a style=\"font-size: 16px; cursor: auto;\"><br \/><\/a><\/span><\/p>\n<p style=\"margin-bottom: 1rem; cursor: auto;\">Blommers, Thomas, &#8216;Social and Cultural Circularity in<span style=\"cursor: auto;\">&nbsp;<\/span><em style=\"cursor: auto;\">La historia oficial<\/em>&#8216;,<span style=\"cursor: auto;\">&nbsp;<\/span><em style=\"cursor: auto;\">Ciberletras<\/em><span style=\"cursor: auto;\">&nbsp;<\/span>2 (2002),&nbsp;https:\/\/www.lehman.cuny.edu\/ciberletras\/v06\/blommers.html, accessed 22\/01\/2023<\/p>\n<p style=\"margin-bottom: 1rem; cursor: auto;\"><span style=\"background-color: var(--color-6); color: var(--color-1); font-variant-caps: inherit;\">Cisneros,&nbsp;James Ricardo, &#8216;Censura, violencia pol\u00edtica y memoria colectiva:<\/span><span style=\"color: var(--color-1); font-variant-caps: inherit; cursor: auto;\">&nbsp;<\/span><em style=\"color: var(--color-1); font-variant-caps: inherit; cursor: auto;\">La historia oficial<\/em><span style=\"background-color: var(--color-6); color: var(--color-1); font-variant-caps: inherit;\">&#8216;,&nbsp;<\/span><em style=\"color: var(--color-1); font-variant-caps: inherit; cursor: auto;\">Nuevo Texto Cr\u00edtico<\/em><span style=\"background-color: var(--color-6); color: var(--color-1); font-variant-caps: inherit;\">, 10:19\/20 (1997), 149-168<\/span><\/p>\n<p style=\"margin-bottom: 1rem; cursor: auto;\">Forcinito, Ana, &#8216;De la Plaza al mercado: la memoria, el olvido y los cuerpos femeninos en Puenzo, Solanas y Aristarain&#8217;,&nbsp;<em style=\"cursor: auto;\">Chasqui<\/em><span style=\"cursor: auto;\">&nbsp;<\/span>29:2 (2000), 122-34<\/p>\n<p style=\"margin-bottom: 1rem; cursor: auto;\">use the following links &nbsp;for los vigilantes<\/p>\n<p style=\"margin-bottom: 1rem; cursor: auto;\"><span style=\"cursor: auto;\">McDowell Carlsen, Lila, &#8216;Inhospitable Text: Critical Dystopia in<span style=\"cursor: auto;\">&nbsp;<\/span><\/span><em style=\"cursor: auto;\">Los vigilantes<\/em><span style=\"cursor: auto;\"><span style=\"cursor: auto;\">&nbsp;<\/span>by Diamela Eltit&#8217;,&nbsp;<\/span><em style=\"cursor: auto;\">Letras Femeninas,<\/em><span style=\"cursor: auto;\">&nbsp;40:2 (2014), 31\u201346<\/span><\/p>\n<p style=\"margin-bottom: 1rem; cursor: auto;\"><span style=\"cursor: auto;\"><span style=\"font-size: calc(0.91rem + 0.12vw); cursor: auto;\">Green, Mary,<span style=\"cursor: auto;\">&nbsp;<\/span><\/span><em style=\"font-size: calc(0.91rem + 0.12vw); cursor: auto;\">Diamela Eltit: Reading the Mother<\/em><span style=\"font-size: calc(0.91rem + 0.12vw); cursor: auto;\">&nbsp;(Woodbridge: Tamesis, 2007) [chapter 5]<\/span><br \/><\/span><\/p>\n<p style=\"margin-bottom: 1rem; cursor: auto;\"><span style=\"cursor: auto;\"><span style=\"font-size: calc(0.91rem + 0.12vw); cursor: auto;\"><span style=\"font-size: 16px; cursor: auto;\">Selimovi\u0107, Inela, &#8216;Mapping Urban Sites of Resistance in Diamela Eltit\u2019s<span style=\"cursor: auto;\">&nbsp;<\/span><\/span><em style=\"font-size: 16px; cursor: auto;\">Los vigilantes<\/em><span style=\"font-size: 16px; cursor: auto;\">\u2019,&nbsp;<\/span><em style=\"font-size: 16px; cursor: auto;\">Confluencia<\/em><span style=\"font-size: 16px; cursor: auto;\">, 25:2 (2010), 122\u2013130<\/span><br \/><\/span><\/span><\/p>\n<p style=\"cursor: auto;\"><span style=\"font-size: 10pt; cursor: auto;\"><span style=\"font-size: 16px; cursor: auto;\">Selimovi\u0107, Inela, &#8216;Mapping Urban Sites of Resistance in Diamela Eltit\u2019s<span style=\"cursor: auto;\">&nbsp;<\/span><\/span><em style=\"font-size: 16px; cursor: auto;\">Los vigilantes<\/em><span style=\"font-size: 16px; cursor: auto;\">\u2019,&nbsp;<\/span><em style=\"font-size: 16px; cursor: auto;\">Confluencia<\/em><span style=\"font-size: 16px; cursor: auto;\">, 25:2 (2010), 122\u2013130<\/span><br \/><\/span><\/p>\n<p style=\"cursor: auto;\"><span style=\"font-size: 10pt; cursor: auto;\"><span style=\"font-size: 16px; cursor: auto;\"><br \/><\/span><\/span><\/p>\n<p style=\"cursor: auto;\"><span style=\"font-size: 10pt; cursor: auto;\"><span style=\"font-size: 16px; cursor: auto;\">thanks you&nbsp;<\/span><\/span><\/p>\n<p style=\"cursor: auto;\"><\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>the following description will give &nbsp;you an idea of the context behind the essay question.&nbsp; The most recent dictatorships in Argentina (1976-1983) and Chile (1973-1990) were also the most violent, characterised by the clandestine arrest, torture, murder, and disappearance of thousands of&nbsp;each country\u2019s citizens. Given this extraordinary brutality, the early years of the transition to [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","template":"","meta":[],"disciplines":[154],"paper_types":[],"tagged":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/questions\/19420"}],"collection":[{"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/questions"}],"about":[{"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/types\/questions"}],"author":[{"embeddable":true,"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/comments?post=19420"}],"version-history":[{"count":0,"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/questions\/19420\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/media?parent=19420"}],"wp:term":[{"taxonomy":"disciplines","embeddable":true,"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/disciplines?post=19420"},{"taxonomy":"paper_types","embeddable":true,"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/paper_types?post=19420"},{"taxonomy":"tagged","embeddable":true,"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/tagged?post=19420"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}