{"id":16366,"date":"2024-03-19T16:13:27","date_gmt":"2024-03-19T16:13:27","guid":{"rendered":"https:\/\/www.writemyessays.app\/blog\/questions\/how-does-the-lacanian-mirror-stage-theorize-film-spectatorship-evaluate-the-success-and-application-of-lacanian-psychoanalysis-to-the-writing-of-two-film-theorists-with-respect-to-cinema\/"},"modified":"2024-03-19T16:13:27","modified_gmt":"2024-03-19T16:13:27","slug":"how-does-the-lacanian-mirror-stage-theorize-film-spectatorship-evaluate-the-success-and-application-of-lacanian-psychoanalysis-to-the-writing-of-two-film-theorists-with-respect-to-cinema","status":"publish","type":"questions","link":"https:\/\/www.writemyessays.app\/blog\/questions\/how-does-the-lacanian-mirror-stage-theorize-film-spectatorship-evaluate-the-success-and-application-of-lacanian-psychoanalysis-to-the-writing-of-two-film-theorists-with-respect-to-cinema\/","title":{"rendered":"How does the Lacanian mirror stage theorize film spectatorship? Evaluate the success and application of Lacanian psychoanalysis to the writing of two film theorists with respect to cinema."},"content":{"rendered":"

eb<\/span>.<\/span> <\/span>2<\/span>2<\/span> <\/span>\u2013<\/span> <\/span>Readings:<\/span> <\/span>Jean<\/span>–<\/span>Luc Comolli and Jean Narboni \u201cCinema\/Ideology\/Criticism\u201d (478<\/span>–<\/span>86); Louis<\/span>
Althusser \u201c<\/span>Ideology and Ideological State Apparatuses<\/span>\u201d (<\/span>Brightspace<\/span>)<\/span>
Feb<\/span>.<\/span> <\/span>2<\/span>7<\/span> <\/span>\u2013<\/span> <\/span>Screening:<\/span> <\/span>Point Blank<\/span> <\/span>(<\/span>Boorman 1967)<\/span>
Feb.<\/span> <\/span>29<\/span> <\/span>\u2013<\/span> <\/span>David Bordwell, \u201cClassical Hollywood Cinema: Narrative Principles & Procedures\u201d<\/span>
(<\/span>Brightspace<\/span>)<\/span>;<\/span> <\/span>David Bordwell \u201cThe Art Cinema as a Mode of Film Practice\u201d (558<\/span>–<\/span>73)<\/span>
Mar.<\/span> <\/span>12<\/span> <\/span>\u2013<\/span> <\/span>Introduction to Psychoanalysis<\/span>
Readings:<\/span> <\/span>Jacques Lacan \u201cThe Mirror Stage\u201d (<\/span>Brightspace<\/span>)<\/span>
Mar.<\/span> <\/span>1<\/span>4<\/span> <\/span>\u2013<\/span> <\/span>Screening:<\/span> <\/span>Peeping Tom<\/span> <\/span>(Powell 1960)<\/span>
Annotated bibliography due<\/span>
Mar.<\/span> <\/span>1<\/span>9<\/span> <\/span>\u2013<\/span> <\/span>Readings<\/span>:<\/span> <\/span>Jean<\/span>–<\/span>Louis Baudry “The Apparatus” (<\/span>34<\/span>–<\/span>44<\/span>)<\/span>;<\/span> <\/span>Christian Metz from<\/span> <\/span>The Imaginary<\/span>
Signifier<\/span> <\/span>(<\/span>17<\/span>–<\/span>33<\/span>)<\/span>
Mar.<\/span> <\/span>21<\/span> <\/span>\u2013<\/span> <\/span>Screening:<\/span> <\/span>The Criminal Life of Archibaldo de la Cruz<\/span> <\/span>(<\/span>Bunuel<\/span> <\/span>19<\/span>55<\/span>)<\/span>
Mar. 2<\/span>6<\/span> <\/span>\u2013<\/span> <\/span>Readings<\/span>:<\/span> <\/span>Sigmund Freud \u201cOn Fetishism\u201d (708<\/span>–<\/span>13);<\/span> <\/span>Laura Mulvey “Visual Pleasure and<\/span>
Narrative Cinema” (<\/span>713<\/span>–<\/span>24)<\/span>
Mar<\/span>.<\/span> <\/span>28<\/span> <\/span>\u2013<\/span> <\/span>Screening:<\/span> <\/span>Sorry to Bother You<\/span> <\/span>(Riley 2018)<\/span>
Apr. 2<\/span> <\/span>\u2013<\/span> <\/span>Readings<\/span>:<\/span> <\/span>Franz Fanon \u201cThe Fact of Blackness\u201d (794<\/span>–<\/span>99);<\/span> <\/span>Richard Dyer, \u201cWhite,\u201d<\/span> <\/span>(<\/span>822<\/span>–<\/span>839<\/span>);<\/span>
Elaine Shohat<\/span> <\/span>& Robert Stam, \u201cStereotype, Realism & Regression\u201d<\/span> <\/span>(<\/span>800<\/span>–<\/span>821<\/span>)<\/span>
Apr.<\/span> <\/span>4<\/span> <\/span>–<\/span> <\/span>Term Paper peer review workshop<\/span>
Apr.<\/span> <\/span>9<\/span> <\/span>\u2013<\/span> <\/span>Screening:<\/span> <\/span>House<\/span> <\/span>(<\/span>Obayashi<\/span> <\/span>19<\/span>77<\/span>)<\/span>
Apr.<\/span> <\/span>1<\/span>1<\/span> <\/span>\u2013<\/span> <\/span>Readings:<\/span> <\/span>Vivian Sobchak \u201cPhenomenology and Film Experience\u201d (62<\/span>–<\/span>68);<\/span> <\/span>Carol Clover from<\/span>
Men, Women and Chain Saws<\/span> <\/span>(511<\/span>–<\/span>30)<\/span>
Term paper draft due<\/span>
Apr.<\/span> <\/span>16<\/span> <\/span>–<\/span> <\/span>Screening:<\/span> <\/span>The<\/span> <\/span>Discreet C<\/span>harm of the Bourgeoisie<\/span> <\/span>(<\/span>Bunuel<\/span> <\/span>19<\/span>72<\/span>)<\/span>
Apr.<\/span> <\/span>18<\/span> <\/span>\u2013<\/span> <\/span>Readings<\/span>: Andrew Sarris \u201cThe Auteur Theory Revisited\u201d (354<\/span>–<\/span>60); Peter Wollen “The Auteur<\/span>
Theory” (361<\/span>–<\/span>74); Roland Barthes “The Death of the Author” (345<\/span>–<\/span>49)<\/span>
Apr.<\/span> <\/span>30<\/span> <\/span>–<\/span> <\/span>Screening:<\/span> <\/span>TBA<\/span>
May<\/span> <\/span>2<\/span> <\/span>\u2013<\/span> <\/span>Readings: Fredric Jameson \u201cPostmodernism and Consumer Society\u201d (1031<\/span>–<\/span>41);<\/span> <\/span>Lev<\/span>
Manovich,<\/span> <\/span>\u201cWhat is Digital Cinema?\u201d<\/span> <\/span>(<\/span>1058<\/span>–<\/span>70)<\/span><\/p>\n


<\/span><\/div>\n

<\/span><\/div>\n
Readings above are used in class<\/span><\/div>\n","protected":false},"excerpt":{"rendered":"

eb. 22 \u2013 Readings: Jean–Luc Comolli and Jean Narboni \u201cCinema\/Ideology\/Criticism\u201d (478–86); LouisAlthusser \u201cIdeology and Ideological State Apparatuses\u201d (Brightspace)Feb. 27 \u2013 Screening: Point Blank (Boorman 1967)Feb. 29 \u2013 David Bordwell, \u201cClassical Hollywood Cinema: Narrative Principles & Procedures\u201d(Brightspace); David Bordwell \u201cThe Art Cinema as a Mode of Film Practice\u201d (558–73)Mar. 12 \u2013 Introduction to PsychoanalysisReadings: Jacques Lacan […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","template":"","meta":[],"disciplines":[20],"paper_types":[],"tagged":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/questions\/16366"}],"collection":[{"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/questions"}],"about":[{"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/types\/questions"}],"author":[{"embeddable":true,"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/comments?post=16366"}],"version-history":[{"count":0,"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/questions\/16366\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/media?parent=16366"}],"wp:term":[{"taxonomy":"disciplines","embeddable":true,"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/disciplines?post=16366"},{"taxonomy":"paper_types","embeddable":true,"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/paper_types?post=16366"},{"taxonomy":"tagged","embeddable":true,"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/tagged?post=16366"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}