{"id":10943,"date":"2024-02-09T00:52:59","date_gmt":"2024-02-09T00:52:59","guid":{"rendered":"https:\/\/www.writemyessays.app\/blog\/questions\/economic-sustainability-and-funding-models-in-the-freedom-fringe-of-the-edinburgh-festival-a-comparative-analysis\/"},"modified":"2024-02-09T00:52:59","modified_gmt":"2024-02-09T00:52:59","slug":"economic-sustainability-and-funding-models-in-the-freedom-fringe-of-the-edinburgh-festival-a-comparative-analysis","status":"publish","type":"questions","link":"https:\/\/www.writemyessays.app\/blog\/questions\/economic-sustainability-and-funding-models-in-the-freedom-fringe-of-the-edinburgh-festival-a-comparative-analysis\/","title":{"rendered":"Economic Sustainability and Funding Models in the Freedom Fringe of the Edinburgh Festival: A Comparative Analysis"},"content":{"rendered":"

Use Google Scholar to find the corresponding literature according to the reading list I have given and to fulfill the academic writing requirements, please refer to the template I have given for detailed formatting.
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reading list\uff1a<\/b><\/font><\/p>\n

Angela Bartie (2013), \u2018Cultural Challenge: The Creation of a \u2018Fringe\u2019 1947\u20131955\u2019 in The Edinburgh Festivals: Culture and Society in Post-war Britain<\/em>, Edinburgh: Edinburgh University Press. Electronic text via library: https:\/\/go.exlibris.link\/X077GLmY<\/a>
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Richard Knowles (2018), ‘Festivals:What Good Are They? What Are They Good at? The Case of Edinburgh 2017′, Theatre Journal, 70:3, 369-382. https:\/\/doi.org\/10.1353\/tj.2018.0060<\/a><\/span>
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Future Fringe (2022) report: https:\/\/www.thegreenhousetheatre.com\/wp-content\/uploads\/2022\/02\/Future-Fringe-Steering-Group-Final-Report.pdf<\/a><\/p>\n

Dena Davida et al. (2019). Curating Live Arts: Critical Perspectives, Essays, and Conversations on Theory and Practice. New York and Oxford: Berghahn. Electronic text via library: https:\/\/go.exlibris.link\/W0RwL4bv <\/a><\/p>\n

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Lyn Gardner (2008), \u2018Edinburgh festival: Free for all at the Fringe\u2019, Guardian<\/em>, 7 August. http:\/\/www.theguardian.com\/culture\/2008\/aug\/07\/edinburghfestival.forestfringe<\/a>
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Stephen Greer (2018), ‘The Edinburgh Festival Fringe’ in Queer exceptions: solo performance in neoliberal times. <\/em>Manchester: Manchester University Press,  40-48. Electronic text via library: https:\/\/go.exlibris.link\/4GrFTx96<\/a>
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Jen Harvie (2003), \u2018Cultural Effects of the Edinburgh International Festival: Elitism, Identities, Industries\u2019, Contemporary Theatre Review<\/em>, 13:4, 12-26. http:\/\/dx.doi.org\/10.1080\/1048680032000118378<\/a>
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Jenn Harvie (2013), Fair Play: Art, Performance and Neoliberalism. <\/em>Basingstoke: Palgrave Macmillan. Electronic text via library: https:\/\/go.exlibris.link\/nxn4Ns2f<\/a> 
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Deborah Pearson (2015), ‘Curation as a Form of Artistic Practice: Context as a New Work through UK-Based Forest Fringe’, Canadian Theatre Review, 162, 80-81. https:\/\/muse.jhu.edu\/article\/579868<\/a> 
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Bernadette Quinn (2005), \u2018Arts Festivals and the City\u2019, Urban Studies<\/em>, 42: 927-943. http:\/\/usj.sagepub.com\/content\/42\/5-6\/927.abstract<\/a><\/p>\n

Keren Zaiontz (2018) Theatre and Festivals<\/em>. London: Palgrave Macmillan.
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Nish Kumar (2022). ‘It\u2019s where I learned how to be a comedian\u2019: Nish Kumar on why the Edinburgh fringe still matters. https:\/\/www.theguardian.com\/stage\/2022\/aug\/16\/its-where-i-learned-how-to-be-a-comedian-nish-kumar-on-why-the-edinburgh-fringe-still-matters<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Use Google Scholar to find the corresponding literature according to the reading list I have given and to fulfill the academic writing requirements, please refer to the template I have given for detailed formatting. reading list\uff1a Angela Bartie (2013), \u2018Cultural Challenge: The Creation of a \u2018Fringe\u2019 1947\u20131955\u2019 in The Edinburgh Festivals: Culture and Society in Post-war […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","template":"","meta":[],"disciplines":[78],"paper_types":[],"tagged":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/questions\/10943"}],"collection":[{"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/questions"}],"about":[{"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/types\/questions"}],"author":[{"embeddable":true,"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/comments?post=10943"}],"version-history":[{"count":0,"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/questions\/10943\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/media?parent=10943"}],"wp:term":[{"taxonomy":"disciplines","embeddable":true,"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/disciplines?post=10943"},{"taxonomy":"paper_types","embeddable":true,"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/paper_types?post=10943"},{"taxonomy":"tagged","embeddable":true,"href":"https:\/\/www.writemyessays.app\/blog\/wp-json\/wp\/v2\/tagged?post=10943"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}