This is the full title of the assignment: Rebecca Duncan argues that in African Gothic texts, ‘supernatural figures’ derive from ‘animist worldviews that have been excluded in realities structured by the (colonial) bequests of Enlightenment modernity’ (158). In one or two texts, how are figures from African cosmologies or mythologies reclaimed and to what effect?Ive also attatched my university’s marking framework (I’m in the Lvl 6 marking category), and the notes I’ve taken during the year.
How are figures from African cosmologies or mythologies reclaimed and to what effect in Maya Montero’s short story ‘Corinne, Amiable Girl’
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